On Freitag, 21. März 2003 19:48 Bernhard Praschinger wrote:
>
> So I can use the same parameters as -f 8 sets with -f 5? If so,
>
> which parameters and values you have to use?
>
>
Likely, but they might not makes sense.
>
>
The -f 5 setes the options to produce a svcd compliant. But you
>
are alowed to change everything. The -f 8 sets the options to
>
produces something suitable for a DVD-Player.
>
>
Maybay I have forgotten it, but why do you want to do that. It
>
makes no reall sense to me.
Berni, it is very easy to understand.
I don't copy DVDs, but make own films from my dv-camera. There are
two things, which are very important to me: high quality and the
possibility to create DVDs from my XSVCDs later *without*
reencoding and having other unexpected problems. As long as my
standalone-DVD-players accept the XSVCD with DVD parameters I think
-f 8 is the securest way to get no problems later, when I make a
DVD from the mpg-file of the XSVCD. With a videobitrate of 5000kbps
I can make a film with about 23min. That's enough for me. Most of
my clips are about 10min. and then I use 6000kbps VBR.
A simple command:
transcode -i /multimedia_out_nfs/encodesource3/ -V -y
mpeg2enc,toolame -F 8 -o test
used the following default values:
[export_mpeg2enc.so] cmd=mpeg2enc -v 0 -f 8 -b 1800 -F 3 -n p -o
"test".m2v
and
transcode -i /multimedia_out_nfs/encodesource3/ -V -y
mpeg2enc,toolame -F 5 -o test
created:
[export_mpeg2enc.so] cmd=mpeg2enc -v 0 -q 3 -f 5 -4 2 -2 3 -b 1800
-F 3 -n p -V 230 -o "test".m2v
So the difference you see, is:
-q -4 2 -2 3
I use different -q values with different sources. But does it make
sense to use -4 2 -2 3 for encoding DVDs from dv-camera-sources?
Al
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Re: Re: glav/lavplay of DV2 AVI files?
> My objective is to indentify frames interactively, then use some other
> program,
> lav2yuv, or whatever, to extract interesting frames to Jpeg or PPM images.
> I do research in image processing and vision, so I want to interactivly
> crop the video and extract a couple of hundred frames at a time.
>
You might be interested in my project http://cuisine.bigasterisk.com. I
have successfully used it to log 7h of documentary footage and cut an
8m show with 3 tracks of audio. I can't say it's ready for that size
project, though, since installation is near-impossible and there are
lots of missing features.
But, if you want to play DV (raw or avi) only, see the frame you're on,
and write notes on frames that will be saved into an XML file, perhaps
I've got just the tool.
If you wanted to use my stuff, here's an outline of what to do:
1. Have libdv, python (at least 2.1 or 2.2, I think), avifile installed
(and probably more).
2. Get my code via cvs. Instructions are on the webpage.
3. In editor/lib, attempt to make. Email me with what goes wrong..
4. Adjust your paths so editor/lib is in PYTHONPATH and editor/pour is
in PATH (latter is optional).
5. Run "butter myvideo.dv" or "butter myvideo.avi"
6. If that's working, you should run "baste myvideo.xx" to make an initial
XML file describing the video. Then, butter will let you write notes on
the video as you watch.
7. Modify the program 'whip' to do your output. Whip currently
makes an html page with thumbnails of your video and the
annotations/marks you wrote according to the XML files. I've used
it to make indexes of all my clips (one thumbnail per clip in the
directory tree, all marks are shown too) or a mark guide for each
clip (separate thumbnail for each mark you made).
BTW, butter (the playback and annotation tool) has a bunch of keys for
skipping different numbers of frames, and it can playback at variable
speed. We've used it to transcribe 2 hours of interviews and another
project by playing them at about .4 speed and typing during the talking.
See http://bigasterisk.com/post/dash/tossscreen1.png for a big
screenshot. On the left, hidden, is butter; on the right, mozilla displays
the output of whip; and in the middle is the timeline editor 'toss'. Toss
is exceptionally hard to run because it uses pygtk2, gnome-python2,
libgnomecanvas2, etc. Those were a mistake. The next version will not
use them.
-Drew
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Re: changing the hue prior to encoding
Quoting "Steven M. Schultz"
> Hi Dan -
>
> > From: scholnik@xxxxxxxxxxxxxxxxxx
> > I've done that a few times. What you want is yuvcorrect. Here's some
> > examples I've used to correct white balance:
>
> I was going to mention yuvcorrect but I see you've already done that ;)
>
> > What I'd really like is a tool that will scan the clip (or part of it)
> > and automatically correct white balance and/or maximize contrast.
> > Hand tweaking of yuvcorrect parameters is tedious.
>
> Have you tried yuvcorrect_tune? It's a bit tricky to get going but
> does allow interactive changes to be made and the effect immediately
> viewed.
>
Guys, this sounds great! I can't wait to try these tools out... only one
problem: Where can I find yuvcorrect and yuvcorrect_tune ?
Thanks,
Narfi.
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Re: difference -f 5 -f 8
Hallo
> > If you use -f 5 you are allowed to set most of the parameters on
> > your own.
> So I can use the same parameters as -f 8 sets with -f 5? If so,
> which parameters and values you have to use?
Likely, but they might not makes sense.
The -f 5 setes the options to produce a svcd compliant. But you are
alowed to change everything. The -f 8 sets the options to produces
something suitable for a DVD-Player.
Maybay I have forgotten it, but why do you want to do that. It makes no
reall sense to me.
> -w 8500 ?
> -g 15 -G 15?
-w <-> -b ??!?!??
> > The -f 8 sets a other sequence length by default and a maximal
> > video bitrate of 8500, other gope Size.
>
> What do you mean with "sequence length"? Do you mean GOP?
Try:
> man mpeg2enc
/sequence length
No, the sequence length cares about the marking a suitabel point of the
stream where mplex can split the output stream into several files.
auf hoffentlich bald,
Berni the Chaos of Woodquarter
Email: shadowlord@xxxxxxxxx bernhard.praschinger@xxxxxxxxxxxx
www: http://www.lysator.liu.se/~gz/bernhard
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Re: difference -f 5 -f 8
Hi Al,
> So the difference you see, is:
> -q -4 2 -2 3
>
> I use different -q values with different sources. But does it make
> sense to use -4 2 -2 3 for encoding DVDs from dv-camera-sources?
The -4 and -2 flags just control how exhaustively the motion estimator
searches for good motion compensation. Basically, the lower the number
the fewer unlikely Candidates are discarded without detailed examination.
The gains in compression from cranking -4 and -2 right down are pretty
marginal for most material. More a case of "I don't care if it compresses
overnight, so which not". If encoding time matters to you don't bother
winding them down low.
Andrew
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