Thanks, I'm looking for the periodical now.
Mary
>From: "Boris Battistini" <boris@xxxxxxxxxxx>
>To: "'Maribel Pluenneke'" <pluennekem@xxxxxxxxxxx>
>Subject: R: Fontana Mix
>Date: Wed, 5 May 2004 09:26:54 +0200
>
>I am from Italy and i can read/traslate italian notation for u.
>
>
>
>
>
> _____
>
>Da: silence-bounces@xxxxxxxxxxxxxxxxxxxxxx
>[mailto:silence-bounces@xxxxxxxxxxxxxxxxxxxxxx] Per conto di Maribel
>Pluenneke
>Inviato: mercoledì 5 maggio 2004 6.24
>A: silence@xxxxxxxxxxxxxxxxxxxxxx
>Oggetto: RE: Fontana Mix
>
>
>
>No problem, I read spanish and italian as well. Thanks-I'll look for it.
>
>Mary, UNLV
>
> >From: "Robert F. Jones" <robertinbrazil@xxxxxxxxxxx>
>
> >To: pluennekem@xxxxxxxxxxx
>
> >CC: silence@xxxxxxxxxxxxxxxxxxxxxx
>
> >Subject: RE: Fontana Mix
>
> >Date: Tue, 04 May 2004 17:46:59 -0400
>
> >
>
> >Hi,
>
> >
>
> >I don't have access to my copy at the moment, but I believe that the
>
> >following journal prints Cage's working notes on realizing the
>
> >Fontana Mix at the studio in Milan, i.e. how he interpreted the
>
> >notation to produce a tape piece:
>
> >
>
> >Revista de Letras (Univ. of Puerto Rico), vol. 3, no. 11 (Sept.
>
> >1971).
>
> >
>
> >It is a special Cage issue of the Revista, and includes an interview
>
> >with Cage by alcides lanza, articles on Cage in English and Spanish,
>
> >and Spanish versions of some of Cage's writings.
>
> >
>
> >good luck finding it,
>
> >
>
> >Robert F. Jones
>
> ><< message3.txt >>
>
>
>
>
> _____
>
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