Thanks, I'll check those sources out.
>From: Rob Haskins <rob_haskins@xxxxxxxxx>
>To: Maribel Pluenneke <pluennekem@xxxxxxxxxxx>, silence@xxxxxxxxxxxxxxxxxxxxxx
>Subject: Re: Fontana Mix
>Date: Tue, 4 May 2004 11:07:20 -0700 (PDT)
>
>Hi Mary,
>Welcome to the list. I haven't done a lot of work with Fontana Mix and Aria, and I'm not at home (where I have a pretty large bibliography related to Cage in my desktop). I'd guess you might start with Pritchett's book on Cage--I know he discusses the notation of Fontana Mix--and then you might look at other stuff done on similar works (like Variations); see two citations below.
>
>Rob
>
>==========
>
>Miller, David P. ?The Shapes of Indeterminacy: John Cage?s Variations I and Variations II.? Frankfurter Zeitschrift für Musikwissenshaft 6 (2003): 18?45. <http://www.8ung.at/fzmw/indexeng.htm> (accessed 21 August 2003).
>
>
>
>Pritchett, James. ?David Tudor?s Realization of John Cage?s Variations II.? 2000. <http://silvertone.princeton.edu/~jwp/texts/Var2.html> (accessed 6 September 2002).
>
>
>
>Maribel Pluenneke <pluennekem@xxxxxxxxxxx> wrote:
>
>I recently joined the Silence List...hello everyone.
>
>I'm currently working on a project on John Cage and graphic notation used in Fontana Mix. I was hoping for suggestions on research for this particular piece as it is paired with the Aria.
>
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>
>Rob Haskins
>Eastman School of Music
>rob_haskins@xxxxxxxxx
>http://robhaskins.net
>
>"Heroism doesn't consist in brilliantly combatting someone else. . . . What is heroic is to accept the situation in which you find yourself." -- John Cage
