INVITATION
TO:
Dear Friend
The Delhi Film Archive
and Films for Freedom, in association with Max Mueller Bhavan and the Sarai
Programme at CSDS, Delhi take pleasure in inviting you to "Free Speech &
Fearless Listening: The encounter with censorship in South Asia".
The
three day event to discuss the challenges confronting cultural producers in the
South Asia region will be held at the Max Mueller Bhavan (Goethe Institute),
Kasturba Gandhi Marg, New Delhi from February 22-24, 2006. The event is being
supported by Delhi University, Jawaharlal Nehru University and the Jamia Millia
Islamia (Central University).
Independent documentary filmmakers,
journalists, writers and other professionals have struggled to create spaces for
images, words and ideas that find little support with governments or
market-driven corporations. Meanwhile the transformed nature of information
flows at the cusp of the late 20th and early 21st Century has rendered
inadequate national territories as exclusive sites of study or debate. As
newer technologies of production and dissemination generate an unprecedented
amount of information, there are simultaneously greater demands for restrictions
on speech from state, non-state and corporate players. The proposed 'roundtable'
is an attempt to acknowledge and understand the circulation and curtailment of
speech in the South Asia region and will attempt to engage with the transformed
mediascape to understand how images and information are being created or erased.
Films for Freedom and the Delhi Film Archive initiative began a
nationwide movement of more than 200 documentary filmmakers who came together in
2004 to protest against the Mumbai International Film Festival's (MIFF) decision
to introduce a clause demanding censorship clearance for Indian filmmakers.
Filmmakers responded with a boycott, and the staging of an alternative festival.
'VIKALP ? Films for Freedom' led the filmmakers to engage in a range of
activities that created an awareness of both documentary films and an
understanding about the overt and covert operations of censorship bodies. Today,
Films for Freedom remains a vibrant platform for a diverse range of speech
and anti-censorship related activities.
We look forward to your participation and contribution in what we hope
will be an on-going conversation. Please find attached the Proposed Schedule and
List of Participants. If you have any questions, please do not hesitate to get
in touch with us at
delhifilmarchive@xxxxxxxxx
delhifilmarchive@xxxxxxxxx
Delhi Film Archive
( Amar Kanwar / Anupama Srinivasan / Atul Gupta / Gargi
Sen / Gurvinder Singh/ Kavita Joshi/ Nakul Sood / Rahul Roy / Raj Baruah/
Ranjani Mazumdar/ Saba Dewan / Sanjay Kak / Sanjay Maharishi / Sabeena Gadihoke
/ Sameera Jain/ Sherna Dastur/ Shikha Jhingan/ Shohini Ghosh / Shubhradeep
Chakravorty / Uma
Devi)
----------------------------
Tentative
Schedule (as on 16 Feb)
Free Speech & Fearless
Listening:
The encounter with censorship in South Asia
Feb 22-24
2006, New Delhi
l
21 Feb 2006 / Tue / Sarai CSDS
4:00 ? 7:00 pm
Curtain Raiser
Andres
Veiel (Munich) Jitman
Basnet (Kathmandu/Delhi) Malathi Maithri
(Pondicherry) Sudhir Pattnaik (Bhuvaneshwar) Shuddhabrata Sengupta
Chair
l
22 Feb 2006 /
Wed / Max Mueller Bhawan
I
9:30 - 10:00 Opening
Remarks : Rahul Roy DFA
II 10:00 - 11:30
"Reports from the Region"
Hassan
Zaidi
(Karachi) Jitman Basnet (Kathmandu/Delhi) Prasanna
Vithanage (Colombo) Tanvir Mokammel (Dhaka)
Tenzin Tsundoe (Dharamsala) Video Intervention: May Nyein
(Burma) presented by Nem Davies Amar Kanwar
Chair
tea
break
III 12:00 - 1:30
"Framed by the law"
Lawrence
Liang (Bangalore) Sara
Hossein (Dhaka)
Intervention:
Shahid Amin (Delhi)
discussants: Jitman
Basnet / Prasanna Vithanage / Hassan Zaidi
lunch
IV 2:30 - 4:00 "Court
Encounters"
PA
Sebastian (Mumbai) Sara
Hossein (Dhaka)
discussants:
Lawrence Liang / Prasanna Vithanage / Prashant Bhushan
Chair
tea
break
V
4:30 - 6:00 "Silences from Srinagar & Shillong"
Aijaz
Hussain (Srinagar) P G
Rasul (Srinagar) Robin S Ngangom (Shillong)
Tarun
Bhartiya (Shillong) Written
Intervention: Parvaiz Bukhari (Srinagar) Sanjay Kak
Chair
6:00 -
Screening:
Black Box
Germany (102 min) dir:
Andres Veiel director present
discussant:
Shuddhabrata Sengupta
l
23 Feb 2006 / Thu / Max Mueller Bhawan
I 10:00 - 11:00
"Private" Censorship
Andres
Veiel (Munich)
Shuddhabrata Sengupta Chair
tea
break
II 11:30 - 1:30
"Locating Hate & Censorship"
Deepak
Mehta (Delhi) Sara
Hossein (Dhaka) Shohini Ghosh (Delhi)
Intervention: Arundhati Roy (Delhi) Shuddhabrata Sengupta (Delhi)
Jawed Naqvi (Delhi) Dilip Simeon Chair
lunch
III 2:30 - 4:00
"Writing the body and mind"
Malathi
Maithri (Pondicherry)
Sanjay Srivastava (Delhi)
In Conversation:
Shuddhabrata Sengupta & Shohini Ghosh
tea
break
IV 4:30 - 6:00
"Fiction in the Censors Web"
Anurag
Kashyap (Mumbai) Tanvir
Mokammel (Dhaka) Vimukthi Jayasundara (Colombo/Paris) Prasanna
Vithanage (Colombo) Ranjani Mazumdar Chair
6:00 - Screening:
Sulanga Enu
Pinisa (The Forsaken Land)
dir: Vimukthi
Jayasundara director present
discussant:
Gurvinder Singh
l
24 Feb 2006 / Fri / Max Mueller
Bhawan
I 10:00 - 11:30
"Voices made invisible"
Sudhir
Pattnaik (Bhuvaneshwar)
Ravi Kumar (Chennai) Anil Chamadia (Delhi) Gargi Sen
Chair
tea
break
II 12:00 - 1:30 "The
Business of Censorship"
CP Chandrashekhar
(Delhi) Jawed
Naqvi (Delhi) Najam Sethi (Lahore) TBC
Paranjoy
Guhathakurta (Delhi)
lunch
III 2:30 - 4:00 Towards a "Counter Culture"
Amar
Kanwar (Delhi) Hassan
Zaidi (Karachi) Gurvinder Singh (Delhi) Sudhir
Pattnaik (Bhuvaneshwar) Mukul Mangalik (Delhi) Saba Dewan
Chair
tea
break
IV 4:30 - 6:00 Open Space
6:00 - Screening:
Purahanda
Kaluwara (Death on a Full
Moon Day)
dir: Prasanna Vithanage
director present
Brief
notes on participants
Free
Speech & Fearless Listening:
The encounter with censorship in South
Asia
Feb 22-24 2006, New Delhi
Aijaz Hussain, Srinagar currently writes on
politics and business for India Today and Business Standard from
Srinagar. Before this, he wrote for about four years for the Daily
Excelsior, a regional newspaper published from Jammu. He has also worked
briefly for CNBC-TV18 television network. Besides these he has been
reporting on assignment for Associated Press. Aijaz Hussain has an MA in
Mass Communication & Journalism (1999).
Anil Chamadia, New Delhi is a writer and
columnist, who has been a commentator on political and social issues for almost
all the major Hindi dailies -
Jansatta, Navbharat Times, Hindustan, Amar Ujala
and Dainik Bhaskar. He also writes a column on the electronic media for
the literary magazine Kathadesh. As a Special Correspondent/Writer with
Business India Television's TVI channel, he has also produced more than 1000
news bulletins for prime-time news.
Anurag Kashyap, Mumbai, is a writer turned
director and his writing credits include several Hindi films like Paisa
Vasool (2004), Jung (2000), Kaun (1999) and Satya
(1998). He has written dialogues for Main Aisa Hi Hoon, (2005),
Yuva (2004), Nayak : The Real Hero (2001) and Shool (1999).
Anurag Kashyap's
directorial debut Paanch (Five) (2003) has been twice refused a
clearance certificate by the censor board. His subsequent film Black
Friday (2004) on the Mumbai blasts too has run into censor problems.
C.P.Chandrashekhar bio
awaited
Deepak Mehta, Delhi, is a Reader in the Department
of Sociology, University of Delhi. He is the author of Work, Ritual, Biography:
A Muslim Community in North India. (OUP, 1977). Since 1994 he has been
researching on violence between Hindus and Muslims in Bombay.
Hassan Zaidi, Karachi, is an
award winning journalist and filmmaker, who has been associated with the
Pakistani monthly Herald, Geo TV, Singapore's Channel News Asia, and Star News,
and has won the All Pakistan Newspaper Society award for excellence in
journalism thrice. He currently works as a producer / correspondent for NBC News
and writes for a number of international papers (including India Today), and has
produced radio packages for the BBC's Urdu service. He has directed a number of
documentaries, music videos and shorts, and the feature film
Raat Chali Hai Jhoom Ke. He is currently Director of the KaraFilm ?
Karachi International Film Festival.
Jawed Naqvi, New Delhi is a
veteran journalist, and former Chief Reporter of Gulf News and News
Editor of Khaleej Times, who has also worked for many years with Reuters
in Delhi. He has covered wars from frontlines in Iran, Iraq, Western Sahara,
Lebanon, Yemen, Afghanistan, Kashmir, and Jaffna. After the nuclear tests of
1998, he has embarked on a mission of cross-border journalism, campaigning
against nuclear madness and human rights abuses. He writes as a freelance
journalist for the Karachi Dawn and the Dhaka New Age. occasionaly
write for tehelka. Occasional analyst for TV channels
Jitman Basnet, Kathmandu, is a lawyer and
journalist by profession, and has been editor and publisher of Sagarmatha
Times a national monthly magazine published from Kathmandu, and Cine
Hotline. In Sep 2002, he was arrested by the Maoists but eventually
released. In Feb 2004 Jitman Basnet was arrested by the Royal Nepal Army and was
in detention for about 10 months. The reason for his arrest was an article that
he had written about the army's violation of human rights. Subsequent to his
release he was forced to escape from Nepal, and at present lives in exile in
Delhi.
Lawrence Liang, Bangalore, is a researcher at the Alternative Law
Forum a collective of lawyers who work on various aspects of law,
legality and power. Lawrence has been working on a research project on the
politics of intellectual property "Intellectual Property & the
Knowledge/Culture Commons" in collaboration with Sarai: CSDS, and is also very
interested in the intersection of law and culture. He has recently completed a
monograph on censorship and cinema in India called
The Public is watching
(for PSBT).
Malathi Maithri, Pondicherry, is a Tamil poet (and
activist) whose poems are considered highly inventive in the Tamil context. Her
published collections include Sankaraabarani 2002, Neerindri
Amaiyaathu Ulagu 2003, and Neeli 2005. Her articles, serialized in
the magazine Theranathi, encouraged many young woman writers to
identify and articulate their silenced voices and were published as
Viduthalai Ezhuthuthal (Writing the Freedom) 2004. With her fellow poet
Kirushangini she has published an anthology of modern women's poems Paratthal
Athan Suthanthiram and one collection of articles on feminism titled
Ananku. She is the founder secretary of Ananku, a forum for
feminist activities.
Najam Sethi, Lahore, is an eminent
Pakistani
journalist, editor, and news media personality and Editor-in-Chief of The Friday
Times and The Daily
Times. An aggressively independent journalist, Najam Sethi and
his publications are often in trouble with Pakistani governments. He was
imprisoned by then
Prime Minister Nawaz Sharif, a case that evoked an international outcry that
eventually pressured the government to release him.
P.A.Sebastian, Mumbai bio
awaited
P.G.Rasool, Srinagar, has been writing in Urdu for
the past fourteen years, in a weekly column on current affairs in Kashmir
Uzma (Greater Kashmir) the Urdu weekly published from Srinagar. He
has also authored a book titled Kashmir 1947 (Urdu). The book looks at the
events of 1947 and the origins of the Kashmir issue. Rasool is widely respected
for his probing and dispassionate analysis of events and political commentary. P
G Rasool is a postgraduate in Mass Communication & Journalism from the
University of Kashmir.
Paranjoy Guha Thakurta, Delhi, started his
career as a journalist in June 1977 and has worked with Business India,
BusinessWorld, The Telegraph , India Today and The Pioneer..
And with Television Eighteen India Limited for almost six years. During this
period he anchored a daily interview and discussion programme called "India
Talks" on the CNBC television channel. He is currently Director of the School of
Convergence (SoC), which combines the curricula of a journalism school, a film
school and a management school. He has also directed a number of documentary
films -
Idiot Box or Window of Hope and University of Delhi: A Haven of
Learning ? being some of them. He has co-authored a book with Shankar
Raghuraman entitled: "A Time of Coalitions: Divided We Stand", published by Sage
Publications India in March 2004.
Prasanna Vithanage, Srilanka, directed his first
film Sisila Gini Gani (Ice on Fire) 1992 won nine
OCIC (Sri Lanka) Awards including Best Director, Best Actor and Best Actress.
His second feature Anantha Rathriya (Dark Night of the Soul), 1996 won a
Jury's Special Mention at the First Pusan International Film festival and at the
1996 Sri Lanka Film Critics Forum Awards it won Most Outstanding Film, Best
Director and Best Scriptwriter. Pawuru Walalu (Walls
Within) 1997 won the Best Actress Award at the Singapore International Film
Festival 1998. His feature Purahanda Kaluwara (Death on A Full Moon Day)
1997, won the Grand Prix at the Amiens Film Festival. Initially banned by the
government of Sri Lanka, it has since become the most successful film in the
half century long history of cinema in Sri Lanka. Prasanna has just completed
his fifth film ' Ira Madiyama'.
Ravi Kumar, Pondicherry is a writer, essayist and
translator, who started the critical magazines Nirapirikai (The Spectrum)
and Dalit, which while dealing with the caste question, does not limit
itself to dalit literature or dalit issues, but focuses on other
writings/cultures. He is the editor of Bodhi, the Tamil dalit history
quarterly. He also wrote the life of Malcolm X in a serialized form for Dalit
Murasu (run by the Dalit Media Network) and the revived history of
the so-called untouchable poet, Nandanar, which is carried in serialised form in
Thai Mann (run by Dalit Panthers of India). In association with the
journalist
S.Anand, he has recently started the alternative publishing house,
Navayana. He is a former President of the People's Union for Civil
Liberties, Pondicherry and Tamil Nadu.
Robin S Ngangom, Shillong, is a Manipuri English
poet and a translator of Manipuri writing. He has published two volumes of
poetry, and edited Anthology of Contemporary poetry from North East .. His
latest collection of poems is being published by Chandrabhaga Press. He
currently teaches in Shillong
Sanjay Srivastava, Delhi, is a social
anthropologist, currently on leave from Deakin University, Melbourne, Australia.
His key publications include 'Constructing Post-colonial India. National
Character and the Doon School' (1998), 'Asia. Cultural Politics in the Global
World' (2001, co-author), 'Sexual Sites, Seminal Attitudes' (2004, contributing
editor), and, 'An Education of the Passions. Sexuality, Consumption and Class in
India' (In Press).
Sara Hossain, Dacca, is a lawyer practicing in the
high court division of the Supreme Court of Bangladesh. She is actively involved
with Ain o Salish Kendra [law and mediation centre], and the
Bangladesh Legal Aid & Services Trust , a national legal services
organisation. She earlier worked with Interights, and International Human
Rights Law Centre, London. Her publications include Honour Crimes, Paradigms
and Violence against Women (co-edited with Lynn Welchman), Zed Press, London
1995. She has acted in a number of cases involving the censorship of films, or
banning of publications
Shohini Ghosh, Delhi, is
Reader, Video and Television Production at the AJK Mass Communication
Research Centre, Jamia Millia Islamia, (Central University) New Delhi. She has
been Visiting Associate Professor at the Department of Communication, Cornell
University, USA (1990-1996); Globalization-McArthur Fellow at the University of
Chicago (2001), Fellow at the Gender, Sexuality and Law Research Group of the
Law Department at Keele University, UK and is Visiting Professor at the
Summer Institute on Sexuality, Culture and Society
, International
School for Humanities and Social Sciences, University of Amsterdam, The
Netherlands. Her current work is on issues of media
cultures, censorship and sexuality.
Shudhabhrata Sengupta, Delhi is a media practitioner, artist and writer with the Raqs
Media Collective and one of the co-initiators of the Sarai
Programme at the Centre for the Study of Developing Societies,
Delhi. Shuddhabrata is member of the editorial collective of the Sarai
Reader.
Sudhir Pattnaik, Bhuvaneshwar, is Editor of
Samadristi an Oriya fortnightly news magazine and is Chairman of
Independent Media - an alternative media group consisting of filmmakers,
writers and journalists who work for developing alternative media initiatives in
Orissa.
Tenzin Tsundoe is a writer-activist born to a
Tibetan refugee family, and after graduating from Chennai, he crossed the
Himalayas on foot to enter Tibet, where he was arrested by the Chinese border
police, and after three months in prison in Lhasa, was pushed back to India.. He
has been published in International PEN, The Little Magazine, Outlook, The Times
of India, The Indian Express, Hindustan Times, The Economic Times, Tehelka,
Mid-Day (Mumbai), Afternoon (Mumbai), The Daily Star (Bangladesh), and Today
(Singapore). His literary skills won him the first-ever Outlook-Picador Award
for Non-Fiction in 2001. Since 1999 Tsundue has worked with Friends of Tibet
(India) in 1999 as its general secretary. In January 2002 he scaled the
scaffolding to the 14th floor of the Oberoi Towers in Mumbai to unfurl a Tibetan
national flag and a banner which read "Free Tibet" down the hotel's facade.
China's Premier Zhu Rongji was inside the hotel addressing a conference of
Indian business tycoons. In April 2005, he repeated a similar feat during the
Bangalore visit of the Chinese Prime Minister Wen Jia Bao.
Tarun Bhartiya, Shillong is an activist with the
freedom project Shillong. A Hindi poet with published work in Samkalin
Bhartiya Sahitya, Pahel, Hans, Akshar Parv, and the Sarai Reader..
Tarun is also a filmmaker whose work in progress is called Tourist
Information for Shillong (four parts done - fifth being thought about). He
has worked for NDTV and Campkins Camera Centre (a camera shop). Currently Tarun
Bhartiya is founding-member of alt-space, an open space for culture and
politics in Shillong.
Tanvir Mokammel, Dacca is a filmmaker with several
award winning documentaries and feature films to his credit. His features
include Nadir Nam Modhumat (The River named Modhumati) 1995 which
received three national awards and Chitra Nadir Pare (Quiet Flows the
river Chitra) 1998 a feature film on the destiny of a Hindu family in East
Pakistan after the partition of India in 1947. It received seven national awards
including best film, best story, best script writing, best art direction and
best director of the year. Lalsalu (A tree without roots) 2001 centers on
the life of a Mullah who establishes a false shrine in a remote village in
Bangladesh and received eight national awards including the best film, best
script writing, best cinematography, best sound and best director of the year.
His latest feature Lalon 2004 is based on the life and persona of
the mystic song-composer Lalon Fakir.
His documentaries include Hooliya (Wanted), Smriti Ekattor
(Remembrance), Achin Pakhi (The unknown bard) and Karnaphulir
Kanna, (Teardrops Of Karnaphuli), a documentary on the plight of the
indigenous people of the Chittagong Hill Tracts, a film that has been banned by
the Government of Bangladesh. Tanvir Mokammel is a prolific writer who has
taught film and film appreciation at the Viswa Sahitya Kendro and Standford
University. He is the Director, Bangladesh Film Institute.
Vimukthi Jayasundara, Srilanka: As a 28-year-old
Vimukthi became only the second filmmaker from Sri Lanka to compete for an award
at the Cannes Film Festival in 2005. Jayasundara's film
Sulanga Enu Pinisa (The Forsaken Land) competed in the Un Certain
Regard section and received the Caméra d'Or, Cannes's award for
first-time filmmakers. Jayasundara worked in the advertising industry and wrote
film reviews before studying at the Film and Television Institute of India from
1998 to 2001. Returning to Sri Lanka, he joined the Government Film Unit and
made The Land of Silence, a black-and-white documentary about the victims
of Sri Lanka's civil war. In 2001, he received a grant to continue his film
studies in France at Le Fresnoy. As a student there Jayasundara made Empty
for Love (2002), a short film that was selected for Cinéfondation, the
student category at Cannes.
END OF MAIL
--------------------------
Kavita Joshi
+91.
11. 26511337 (r-o) | 26518315 (studio)
kj.impulse@xxxxxxxxx (main) |
k.jo@xxxxxxxxxxxxxx
(bk-up)
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