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[Announcements] Turbulence Commission: "Fallout, Part I: An Open Repository: msg#00139

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Subject: [Announcements] Turbulence Commission: "Fallout, Part I: An Open Repository"

This is a multi-part message in MIME format.

June 27, 2005
Turbulence Commission: "Fallout, Part I: An Open Repository"
by Ricardo Miranda Zuñiga
http://turbulence.org/works/fallout

"Eleven of us shared beds, floor, and one tiny bathroom as the Somoza dynasty came to an end in 1979.

When I returned to Masaya, the town was terribly damaged. The streets and the Spanish stucco facades of homes were bullet ridden and marked with the silhouette of Sandino. Although the popular revolution succeeded, the economic and political rebuilding of the republic never has. Why is this so?"

Today, Nicaragua is once again on the brink of political and economic disaster.

"Fallout" is a two part project: the first--an open database of personal accounts--will later inform part 2, an online game. Initiated by requesting personal commentary from individuals representing several generations of a single family, "Fallout, Part I: An Open Repository" is now open for submissions by anyone concerned with Nicaragua or other similarly imperiled nations. The site presents a written and graphical history for those not familiar with Nicaragua and utilizes collaborative software to investigate the enigma of the Nicaraguan national character. "Fallout" potentially serves as a case study of the lasting effects of globalization and U.S. interventionist policies upon developing nations.

"Fallout" is a 2005 commission of New Radio and Performing Arts, Inc. (aka Ether-Ore). It was made possible with funding from the Andy Warhol Foundation for the Visual Arts.

BIOGRAPHY

Ricardo Miranda Zuñiga grew up between Nicaragua, and San Francisco. Although his formal education has been within the borders of the United States, his personal perspectives and ideology have been molded by a bicultural reality, consisting of such polar elements as Disneyland and the Nicaraguan Leftist Revolutionary movement. A bicultural upbringing tied to a multidisciplinary education has lead to work that attempts to cultivate interaction with the viewer and includes performance, sculpture, video and audio, the Internet or a combination of all. The principle behind the work is communication as a creative process.

Project Credits:

Conceptualization, Development, and Programming: Ricardo Miranda Zuñiga
Written History: Reynaldo Miranda Zuñiga
Conceptualization and Development Assistance: Karen, Mauricio, and Oscar Padilla
Web Programming Assistance: John Kuiphoff


For more Turbulence Commissions, please visit http://turbulence.org/

--
Untitled Document Jo-Anne Green, Co-Director
New Radio and Performing Arts, Inc.: http://new-radio.org
New York: 917.548.7780 • Boston: 617.522.3856
Turbulence: http://turbulence.org
New American Radio: http://somewhere.org
Networked_Performance Blog and Conference: http://turbulence.org/blog
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